‘I’m just going out to destabilise western civilization.’ ‘Can you take the dog with you?’ ‘Okay’ On the floor, shredded paper, strewn like straw. A door is freestanding in the middle of the space. It’s a nice shade of grey. African parrot grey. A woman in a green jumper and yellow shoes is looking at […]

‘Indigenous resilience. Three women running for their life. Separatist politics. A confrontation of toxic masculinity. And unrelenting puppet deaths. This is CanadaHub.’ In his introduction to the second year of CanadaHub, a curated programme of work from across Canada presented at the Fringe, producer Michael Rubenfeld warns against complacency in this most difficult of times. […]

Status reverberates with quality throughout its several artfully combined mediums: the observational precision of the writing, embodied and articulate delivery, mood-altering soundscape and subtly shifts visuals. Indeed, Chris Thorpe would seem to have become a virtuoso performer in a genre of his own devising, albeit with a great deal of help from his collaborators. With […]

The team that brought us The Pianist are back with another one-man physical theatre tour-de-force performed by Thomas Monckton, a New Zealander who trained and lives in Finland, working in collaboration with Circo Aereo. (The Artist is presented as part of the From Start to Finnish programme.) Then, the trials and tribulations of being a […]

Casus, The 7 Fingers, Paper Doll Militia, and Jess Love – all are circus artists exploring the interplay between circus and theatre, all in very different ways, as seen at the Edinburgh Festival Fringe 2018 by Dorothy Max Prior So, you’re a circus artist or company. Do you make shows that are pure circus, – a […]