Writings

Zanetti Productions: The Basement Tapes

August 13th, 2018 by

Jane Yong’s taut devised production gives the impression that every element is carefully curated, from the precise placement of moments of tension to our physical environment, an actual basement room in Summerhall carefully dressed in the accumulated detritus of an elderly person’s past life. This setting creates a relatively tense atmosphere, aptly for a show […]

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Annie Saunders & Becca Wolff: Our Country

August 13th, 2018 by

Composed somewhat in the postmodern tradition of the Wooster Group et al, this piece doesn’t follow a clear linear narrative but presents a collage of related fragments in a mixture of styles. It is lent overall coherence by the unifying theme of a troubled sibling relationship, and the strong visual, auditory and choreographic elements, all […]

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Circus Hub: Gang of Four

August 12th, 2018 by

Circus Hub is in its fourth year at the Fringe, and in my umpteenth year here in Edinburgh in August, I spend my first afternoon of reviewing duties ensconced here on the Meadows, seeing four very different circus shows from around the world. The two tents of the Hub – a blue-and-white Big Top and […]

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Traverse Theatre Company: What Girls Are Made Of

August 12th, 2018 by

As a 90s teenage grunger who legitimately held a memorial party for Kurt Cobain’s death in suburban Kent, inexplicably tie-dyed all of her clothes orange, and lost both her shoes and her dignity at a Blur concert, this production appealed to me on all sorts of nostalgic levels. The concept of ‘gig theatre’ with all […]

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Ad Infinitum: No Kids

August 12th, 2018 by

Kids? No kids? Kids? No kids? How to decide? Some of us don’t exactly decide – while we are chopping and changing our minds daily, we suddenly find ourselves pregnant, as if God or Mother Nature or whoever just threw their hands in the air saying: enough already, I’ve decided for you. But that’s not […]

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