‘Marooned on a traffic island we can tyrannise ourselves, test our strengths and weaknesses, perhaps come to terms with aspects of our characters to which we have always closed our eyes.’ JG Ballard The set is a white dance floor – a rectangle, not the whole space – and attached to it, an upright wire […]
Writings
Chaliwate Company/Focus Company: Backup
August 21st, 2018 by Dorothy Max PriorThe North Pole. 4am. A van is travelling across the tundra. We see this enacted in an exquisite sequence of object manipulation. A human body forms the snowy landscape and the little van pops up on the undersole of a foot and travels along the body. Tiny lights and miniature houses complete the scene. Switch. […]
Bastiaan Vandendriessche: De Fuut
August 21st, 2018 by Matt RudkinIn this intimate and unnerving performance, Bastiaan Vandendriessche performs his own monologue, playing the part of a scout leader with paedophilic desires. The character is disconcertingly matter-of-fact and at times gleeful, without a hint of contrition or even awareness that his beliefs and behaviours may be controversial. We, the audience, seem to play several roles; […]
Nina’s Drag Queens: Alma, a Human Voice
August 20th, 2018 by Dorothy Max PriorA person (male body, female presence) enters the space with a suitcase. Clothes are laid out ceremoniously – a white silk kimono, a pink satin dress, a tasteful 1920s style blue sequinned number. A sweet little black velvet hat goes on: the performer now seems most definitely gendered as female. A mid-2oth century push button […]
Rosy Carrick: Passionate Machine
August 17th, 2018 by Dorothy Max PriorTime travel! Yeah yeah yeah. Sci fi. Hang on, just think about it. That note on the fridge: Buy Milk. It’s an instruction from a past self, time travelling into your present reality. And when you fell asleep last night and slept a straight eight hours – isn’t this a kind of suspended animation, allowing […]