Hailing from Russia, Alyona Ageeva Physical Theatre PosleSlov present (Some)Body, a 50-minute physical exploration of the meaning within the human form and physique, with specific reference to Ancient Greek imagery. The piece is a sequence of movements with no live spoken text and one small singing part. A voice from an overhead speaker talks of […]

Lights up, a bare white stage with a tent constructed from sticks and canvas sits upstage left. Two people, a man and woman, vibrate onto the stage dressed in smart woollen clothes and moleskin winter hats. As if shaking from the coldness of Siberia, the couple’s vibrating grows into specific bodily contortions, seemingly in dialogue […]

A silent space, a backdrop half-raised, the enormous printed face on it partly obscured, crumpled. Some plinths boasting nondescript plants. And bananas. A large portrait-shaped screen, looking like an enormous smartphone. A microphone. A man comes in. A fit-looking man in a smart, straight-legged deep blue suit, crisp white shirt, thin tie. His uniform. Business […]

On the dimly-lit stage, a figure moves around, sits herself on a plinth with a bucket. An old woman, naked, empty hanging breasts, a long sad face. The sound of water trickling and dripping and sloshing. As the light increases (slightly) we note that the figure is wearing an – intentionally, we presume – badly-wrinkled […]

The Underbelly’s Big Belly venue is full of water vapour spread throughout the air as drops of water trickle from the cave walls onto the performance space. It’s dark and ancient, carrying with it a history that can be looked at for the wisdom in its beauty as well as it’s unrelenting and grizzly nature… […]