Writings

Little Bulb Theatre: Orpheus | Photo: James Allan

Little Bulb Theatre: Orpheus

April 18th, 2013 by

Cheeseboards, red wine and Edith Piaf. Even the bar staff gallantly attempt to speak French to you. The Battersea Arts Centre’s beautifully opulent Grand Hall has been transformed into a 1930s Parisian music hall for Little Bulb’s lovingly created version of the Orpheus myth. The company was inspired by the incredible guitar music of Django […]

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Jane Packman Company: A Thousand Shards of Glass | Photo: Chris Keenan

Jane Packman Company: A Thousand Shards of Glass

April 17th, 2013 by

A Thousand Shards of Glass starts with a warm welcome from solo performer Lucy Ellinson. She has a seemingly innocent question or remark for each of us as we are led in groups of three or four to seats set around a circular network of wires and tunnel lamps. From the start, we are in it […]

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Voetvolk: It's going to get worse and worse and worse, my friend

Voetvolk: It’s going to get worse and worse and worse, my friend

April 11th, 2013 by

Rhetoric has the power to persuade and a good speech takes its listeners on a journey, often leading them to a place of rapture – and no more so than with evangelist preachers like the American televangelist Jimmy Swaggart. In a fifty-minute dance piece, Lisbeth Gruwez embodies this disarming process. She first appears backlit, standing […]

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balletLORENT: Rapunzel

balletLORENT: Rapunzel

April 5th, 2013 by

In the opening scenes of this show, the stage is full of children and adults happily dancing; brightly lit, laughing, they throw giant red balloons gently to one another and dance gaily around a central maypole, framed by the stylised wrought iron trellis / tree panels that make up the show’s set. It could be […]

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The Famous Lauren Barri Holstein: Splat! ¦ Photo: Manuel Vason

The Famous Lauren Barri Holstein: Splat!

April 3rd, 2013 by

My programme tells me that The Famous Lauren Barri Holstein ‘has been making vagina-based work since 2009 and dancey-dance work since 2003’. Opening this year’s SPILL Festival in London, Splat! sits very much in the ‘vagina-based work’ category. The piece is littered with references to popular and mainstream culture’s representation of desirable women. From a […]

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