The North Pole. 4am. A van is travelling across the tundra. We see this enacted in an exquisite sequence of object manipulation. A human body forms the snowy landscape and the little van pops up on the undersole of a foot and travels along the body. Tiny lights and miniature houses complete the scene. Switch. […]
Writings
Bastiaan Vandendriessche: De Fuut
August 21st, 2018 by Matt RudkinIn this intimate and unnerving performance, Bastiaan Vandendriessche performs his own monologue, playing the part of a scout leader with paedophilic desires. The character is disconcertingly matter-of-fact and at times gleeful, without a hint of contrition or even awareness that his beliefs and behaviours may be controversial. We, the audience, seem to play several roles; […]
Nina’s Drag Queens: Alma, a Human Voice
August 20th, 2018 by Dorothy Max PriorA person (male body, female presence) enters the space with a suitcase. Clothes are laid out ceremoniously – a white silk kimono, a pink satin dress, a tasteful 1920s style blue sequinned number. A sweet little black velvet hat goes on: the performer now seems most definitely gendered as female. A mid-2oth century push button […]
Rosy Carrick: Passionate Machine
August 17th, 2018 by Dorothy Max PriorTime travel! Yeah yeah yeah. Sci fi. Hang on, just think about it. That note on the fridge: Buy Milk. It’s an instruction from a past self, time travelling into your present reality. And when you fell asleep last night and slept a straight eight hours – isn’t this a kind of suspended animation, allowing […]
Natalie Palamides: Nate
August 16th, 2018 by Matt RudkinSometimes I review shows that aren’t really my kind of thing but are seemingly very good at the thing they do and other people seem to get a lot from them. Then I have to try to be honest about my own experience whilst acknowledging the clear quality of the work. This intelligent clown show […]