Maybe if you choreograph me… starts at Forest Fringe cafe. The lone audience member is taken on a walk through the streets. Who is this person leading the way? Is she the artist? Has it started yet, you wonder, looking round at the busy, driven people scurrying by and the slow, dreamy people ambling along. You […]
Writings
Tania El Khoury: Maybe if you choreograph me, you will feel better
August 22nd, 2011 by Dorothy Max PriorDoctor Brown: Becaves
August 22nd, 2011 by Dorothy Max PriorAn empty stage, house lights on full, three false starts, then a blast from Carmina Burana (aka the Old Spice ad music), and a great moving lump appears in the back-wall curtain, which is pulled this way and that, chairs and shoes and toilet rolls spilling out of the sides. The curtain is pulled down […]
Blind Summit: The Table
August 22nd, 2011 by Beccy SmithProving the unholy combination of cabaret laughs, top quality puppetry and a late-night vibe is a stylish offer for the Fringe, Blind Summit’s new show returns to their roots – as seen in 2005’s breakthrough show Lowlife – by selling high-class puppetry to entranced Edinburgh crowds. There’s a lot of puppetry about on this year’s Fringe, conjuring […]
Orkestra del Sol: Top Trumps
August 22nd, 2011 by Dorothy Max PriorAs we enter a very lively and packed Spiegeltent – one of a group of mobile venues that are in St George’s Square, the Assembly’s temporary home due to its usual HQ on George Street being requisitioned – we’re issued with Top Trumps cards. You remember those don’t you? Collector cards that pre-dated Pokemon and […]
Barrowland Ballet: A Conversation with Carmel
August 21st, 2011 by Lisa WolfeThe stage is set simply: two long tables with white tops, a cup and saucer placed centrally on each, and behind one, prim and petite, sits Diana Payne-Myers. She is the eponymous Carmel, celebrating her 80th year with a family gathering that exposes truths and tests assumptions, and within which the life-enhancing benefits of dance […]